Sony PMW-F3

$2,000.00

With Stereo Mic, (2) Batteries, and Charger, 731 Hours

  • With PL Mount Adapter
  • 35mm Cine Lens Compatibility
  • 1920 x 1080 HD, Native 23.98p & 24PsF
  • MPEG-2 Long GOP
  • 1080/720, Interlace/Progressive Modes
  • S-Log Gamma/LUT Workflow
  • 12.5-Stop Dynamic Range
  • Dual-Link RGB 4:4:4 HD-SDI Output
  • Genlock, Timecode
  • (2) SxS Memory Card Slots
SKU: 7565 Categories: , ,

Description

Joining the F35 and SRW-9000PL in Sony‘s lineup of CineAlta 24p digital cinema cameras, the PMW-F3L Super 35mm XDCAM EX Full-HD Compact Camcorder with S-Log Gamma continues the democratization of high-end image capture. The camera’s Super 35mm-size CMOS sensor offers a variety of advantages over smaller sensors, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range. Unlike smaller, broadcast-style sensors or the larger “full-frame” sensor found in some DSLRs, the PMW-F3’s chip is on a par with Hollywood film cameras, in terms of field of view and depth of field. That means complete compatibility with cine-style film lenses and consistency of vision for cinematographers used to shooting on 35mm film.

Another advantage of the camera’s highly efficient sensor is its low power consumption–only 24W. Not only does this mean a standard 12V battery can last nearly 3 hours, but the low amount of heat the sensor generates offsets the need for an internal fan–contributing to the camera’s extremely light weight (just over 5 lb). As a result, this is the first CineAlta camcorder designed with a handheld form factor.

Using a solid-state workflow based on the XDCAM EX platform, the PMW-F3 records natively to professional SxS media, using the MPEG-2 long GOP codec in an 8-bit 4:2:0 color space. More demanding applications can utilize the camera’s dual-link HD-SDI ports to output to an external recorder in 10-bit 4:2:2 or 10-bit RGB 4:4:4.

The combination of four HyperGamma settings with S-Log and LUT capability provide RAW-like flexibility to the image data, allowing for increased picture control and dynamic range. S-Log expands the camera’s dynamic range to include at least 12.5 stops of exposure latitude. Meanwhile, the F3’s Exposure Index mode sets the camera at an optimal ISO and adds a full stop of exposure, maximizing the sensor output for situations when highlights are a priority.

An included PL mount adapter strengthens the link between digital cinema and traditional film, providing an efficient means for using any number of professional PL-mount cine lenses–including full compatibility with Cooke/i and Arri LDS technology. Beneath the removable PL adapter, the camera’s native, stainless steel FZ mount provides a foundation for added versatility. Its short flange distance allows for the development of smaller, lighter zoom lenses as well as compatibility with a wide array of both cine and photo lenses (using optional adapters).

Other features–such as variable frame rates, multiple-format recording, slow shutter, and uncompressed PCM audio–make the PMW-F3 an impressive companion to its larger Super 35 brethren. Not only will it intercut perfectly with the F35 and SRW-9000PL as a second unit or B camera, it can easily stand on its own in applications as diverse as indie film, television, commercials, music promos, and education. In the world of digital cinema, these are indeed interesting times–and the PMW-F3 represents another revolutionary stride toward affordable, motion-picture quality imaging.

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