Hitachi SK-UHD4000 4K 4 Studio Camera Package- USED

$125,000.00

Hitachi SK-UHD4000 4K 4 Studio Camera Package Includes:

  • SK-UHD4000 4K UHD B4 Mount Studio and Field Camera- Qty 4
  • CA-HF4000 Fiber Optic Camera Adapter- Qty 4
  • CU-UHD4000 Full Rack Fiber CCU (4K, 1080p, 1080i, 720p and 480i outputs)- Qty 4
  • RU-1500JY Remote Control Panel with Cable- Qty 4
  • VF-L90HD 9″ Color LCD Studio Viewfinder- Qty 2
  • HDVF-700H 7″ Color LCD Studio Viewfinder- Qty 2

Excellent used condition! Used in a church and only a couple years of use for weekend services.

Price is for all 4 Cameras and accessories. 

(Lenses and lens controls not included)

Description

The SK-UHD4000 is the world’s first UHD camera to employ industry-standard B4 bayonet lenses. Broadcasters, rental houses and mobile sports trucks have huge investments in existing B4-mount HD television lenses. A 4-port prism design with 4) 2/3 inch sensors, delivers the deep depth of field, high sensitivity and low noise needed for demanding studio and live production.

Maximizing workflow options, the CU-UHD4000 incorporates 12G SDI output with HDR and Wide Color Gamut. Simultaneous HDR and SDR outputs have individual adjustments. The CCU can also output UHD HDR and simultaneous SD SDR.

  • Employs B4 [BTA S-1005A] 2/3-inch industry standard lenses.
  • B4 lenses have a standardized image size, flange-back distance and electrical interface.
  • Compatible with existing and future HDTV broadcast, bayonet mount lenses from all manufacturers.
  • Allows 4K productions using HD B4 mount optics without any sort of attenuating adapter.
  • Unique Hitachi 4 port prism best preserves the lens MTF (Modulation Transfer Function) that provides the maximum contrast in 4K images.
  • The camera’s optical block employs ‘dual-green’ and ‘pixel offset’ technologies to dramatically increase resolution in the Y (luminance) channel.
  • See details of Hitachi’s unique 4 port imager system.
  • Hitachi’s advanced digital signal processing (DSP) creates ultra-high resolution images.
  • Provides independent cut-out of HD SDI image from 4K raster that can be re-framed in real-time.
  • Functions as a normal HD (1920×1080/60p) camera while recording 4K in real time.
  • Employs the NEW HITACHI RLAC (Mutli-dimensional Real-time Lens Aberration Correction) system that eliminates most lenses’ lateral chromatic aberrations.
  • Employs the latest generation of CMOS sensors.
  • High Signal to Noise Ratio of 62dB (HDTV).
  • High sensitivity of F8.0 is achieved in full UHD [3840 × 2160/59.94p] progressively scanned image.
  • Super-sampled 1920×1080 HD-SDI outputs (down-converted from 4K) offers superb picture quality.
  • Retains a faithful 4:2:2 color space at 10-bits/sample.
  • Camera head power consumption: <38W.
  • Employs existing SMPTE-304/311 Hybrid fiber cable and connectivity.
  • Two HD (2K) progressive outputs directly from the camera head.
  • Production/Engineering intercom and Returns’ embedded audio can be mixed L/R in headset
  • AC Power + Digital and analog teleprompter outputs at the camera head

Configuration

  • Available Studio Adapter for use with all broadcast long box, compact studio and hand-held 2/3-inch bayonet lenses.
  • Cable-less Studio Adapter interface allows maintenance and trouble free operation and reliability.
  • Maintains backwards compatibility with existing HITACHI HDTV control panels, cables, and viewfinders.
  • The SK-UHD4000 is a perfect drop-in replacement for existing HD studio and field production cameras.
  • Ethernet control and assignment of control panels and CCUs [camera control units].
  • Ross Dashboard™ networked camera control
  • Operates over lower-cost, single-mode, fiber cable without additional external hardware or cable adapters.